Valencia

Valencia is the capital of the autonomous community of Valencia and the third largest city in Spain after Madrid and Barcelona, with around 800,000 inhabitants in the administrative centre. Its urban area extends beyond the administrative city limits with a population of around 1.5–1.6 million people. Valencia is Spain's third largest metropolitan area, with a population ranging from 1.7 to 2.5 million. The Port of Valencia is the 5th busiest container port in Europe and the busiest container port on the Mediterranean Sea. The city is ranked at Gamma in the Globalization and World Cities Research Network.

Valencia was founded as a Roman colony by the consul Decimus Junius Brutus Callaicus in 138 BC, and called Valentia Edetanorum. In 714 Moroccan and Arab Moors occupied the city, introducing their language, religion and customs; they implemented improved irrigation systems and the cultivation of new crops as well, being capital of the Taifa of Valencia. In 1238 the Christian king James I of Aragon reconquered the city and divided the land among the nobles who helped him conquer it, as witnessed in the Llibre del Repartiment. He also created a new law for the city, the Furs of Valencia, which were extended to the rest of the Kingdom of Valencia. In the 18th century Philip V of Spain abolished the privileges as punishment to the kingdom of Valencia for aligning with the Habsburg side in the War of the Spanish Succession. Valencia was the capital of Spain when Joseph Bonaparte moved the Court there in the summer of 1812. It also served as capital between 1936 and 1937, during the Second Spanish Republic.

The city is situated on the banks of the Turia, on the east coast of the Iberian Peninsula, fronting the Gulf of Valencia on the Mediterranean Sea. Its historic centre is one of the largest in Spain, with approximately 169 hectares; this heritage of ancient monuments, views and cultural attractions makes Valencia one of the country's most popular tourist destinations.

Valencia is integrated into an industrial area on the Costa del Azahar (Orange Blossom Coast). Valencia's main festival is the Falles. The traditional Spanish dish, paella, originated in Valencia.

Tourism

Starting in the mid-1990s, Valencia, formerly an industrial centre, saw rapid development that expanded its cultural and tourism possibilities, and transformed it into a newly vibrant city. Many local landmarks were restored, including the ancient Towers of the medieval city (Serrans Towers and Quart Towers), and the Sant Miquel dels Reis monastery (es:Monasterio de San Miguel de los Reyes), which now holds a conservation library. Whole sections of the old city, for example the Carmen Quarter, have been extensively renovated. The Paseu Marítim, a 4 km (2 mi) long palm tree-lined promenade was constructed along the beaches of the north side of the port (Platja de Les Arenes, Platja del Cabanyal and Platja de la Malva-rosa).

The city has numerous convention centres and venues for trade events, among them the Feria Valencia Convention and Exhibition Centre (Institución Ferial de Valencia) and the Palau de congres (Conference Palace), and several 5-star hotels to accommodate business travelers.

In its long history, Valencia has acquired many local traditions and festivals, among them the Falles, which were declared Celebrations of International Tourist Interest (Festes de Interés Turístic Internacional) on 25 January 1965 and UNESCO's intangible cultural heritage of humanity list on 30 November 2016, and the Water Tribunal of Valencia (Tribunal de les Aigües de València), which was declared an intangible cultural heritage of humanity (Patrimoni Cultural Inmaterial de la Humanitat) in 2009. In addition to these Valencia has hosted world-class events that helped shape the city's reputation and put it in the international spotlight, e.g., the Regional Exhibition of 1909, the 32nd and the 33rd America's Cup competitions, the European Grand Prix of Formula One auto racing, the Valencia Open 500 tennis tournament, and the Global Champions Tour of equestrian sports. The final round of the MotoGP Championship is held annually at the Circuito de la Communitat Valenciana.

The 2007 America's Cup yachting races were held at Valencia in June and July 2007 and attracted huge crowds. The Louis Vuitton stage drew 1,044,373 visitors and the America's Cup match drew 466,010 visitors to the event.

Main sights

Major monuments include Valencia Cathedral, the Torres de Serrans, the Torres de Quart (es:Torres de Quart), the Llotja de la Seda (declared a World Heritage Site by UNESCO in 1996), and the Ciutat de les Arts i les Ciències (City of Arts and Sciences), an entertainment-based cultural and architectural complex designed by Santiago Calatrava and Félix Candela. The Museu de Belles Arts de València houses a large collection of paintings from the 14th to the 18th centuries, including works by Velázquez, El Greco, and Goya, as well as an important series of engravings by Piranesi.The Institut Valencià d'Art Modern (Valencian Institute of Modern Art) houses both permanent collections and temporary exhibitions of contemporary art and photography.

Architecture

The ancient winding streets of the Barrio del Carmen contain buildings dating to Roman and Arabic times. The Cathedral, built between the 13th and 15th centuries, is primarily of Gothic style but contains elements of Baroque and Romanesque architecture. Beside the Cathedral is the Gothic Basilica of the Virgin (Basílica De La Mare de Déu dels Desamparats). The 15th-century Serrans and Quart towers are part of what was once the wall surrounding the city.

UNESCO has recognised the Silk Exchange market (La Llotja de la Seda), erected in early Valencian Gothic style, as a World Heritage Site. The modernist Central Market (Mercat Central) is one of the largest in Europe. The main railway station Estació Del Nord is built in modernisme (the Spanish version of Art Nouveau) style.

World-renowned (and city-born) architect Santiago Calatrava produced the futuristic City of Arts and Sciences (Ciutat de les Arts i les Ciències), which contains an opera house/performing arts centre, a science museum, an IMAX cinema/planetarium, an oceanographic park and other structures such as a long covered walkway and restaurants. Calatrava is also responsible for the bridge named after him in the centre of the city. The Music Palace (Palau De La Música) (es:Palacio de la Música de Valencia) is another noteworthy example of modern architecture in Valencia.

The cathedral

The Valencia Cathedral was called Iglesia Major in the early days of the Reconquista, then Iglesia de la Seu (Seu is from the Latin sedes, i.e., (archiepiscopal) See), and by virtue of the papal concession of 16 October 1866, it was called the Basilica Metropolitana. It is situated in the centre of the ancient Roman city where some believe the temple of Diana stood. In Gothic times, it seems to have been dedicated to the Holy Saviour; the Cid dedicated it to the Blessed Virgin; King James I of Aragon did likewise, leaving in the main chapel the image of the Blessed Virgin, which he carried with him and is reputed to be the one now preserved in the sacristy. The Moorish mosque, which had been converted into a Christian Church by the conqueror, was deemed unworthy of the title of the cathedral of Valencia, and in 1262 Bishop Andrés de Albalat laid the cornerstone of the new Gothic building, with three naves; these reach only to the choir of the present building. Bishop Vidal de Blanes built the chapter hall, and James I added the tower, called El Micalet because it was blessed on St. Michael's day in 1418. The tower is about 58 metres (190 feet) high and is topped with a belfry (1660–1736).

In the 15th century the dome was added and the naves extended back of the choir, uniting the building to the tower and forming a main entrance. Archbishop Luis Alfonso de los Cameros began the building of the main chapel in 1674; the walls were decorated with marbles and bronzes in the Baroque style of that period. At the beginning of the 18th century the German Conrad Rudolphus built the façade of the main entrance. The other two doors lead into the transept; one, that of the Apostles in pure pointed Gothic, dates from the 14th century, the other is that of the Palau. The additions made to the back of the cathedral detract from its height. The 18th-century restoration rounded the pointed arches, covered the Gothic columns with Corinthian pillars, and redecorated the walls.

The dome has no lantern, its plain ceiling being pierced by two large side windows. There are four chapels on either side, besides that at the end and those that open into the choir, the transept, and the sanctuary. It contains many paintings by eminent artists. A silver reredos, which was behind the altar, was carried away in the war of 1808, and converted into coin to meet the expenses of the campaign. There are two paintings by Francisco de Goya in the San Francesco chapel. Behind the Chapel of the Blessed Sacrament is a small Renaissance chapel built by Calixtus III. Beside the cathedral is the chapel dedicated to the Our Lady of the Forsaken (Mare de Déu dels desamparats).

The Tribunal de les Aigües (Water Court), a court dating from Moorish times that hears and mediates in matters relating to irrigation water, sits at noon every Thursday outside the Porta dels Apostols (Portal of the Apostles).

Hospital

In 1409, a hospital was founded and placed under the patronage of Santa Maria dels Innocents; to this was attached a confraternity devoted to recovering the bodies of the unfriended dead in the city and within a radius of three miles (4.8 kilometres) around it. At the end of the 15th century this confraternity separated from the hospital, and continued its work under the name of "Cofradia para el ámparo de los desamparados". King Philip IV of Spain and the Duke of Arcos suggested the building of the new chapel, and in 1647 the Viceroy, Conde de Oropesa, who had been preserved from the bubonic plague, insisted on carrying out their project. The Blessed Virgin was proclaimed patroness of the city under the title of Virgen de los desamparados (Virgin of the Forsaken), and Archbishop Pedro de Urbina, on 31 June 1652, laid the cornerstone of the new chapel of this name. The archiepiscopal palace, a grain market in the time of the Moors, is simple in design, with an inside cloister and a handsome chapel. In 1357, the arch that connects it with the cathedral was built. Inside the council chamber are preserved the portraits of all the prelates of Valencia.

Medieval churches

• Sant Joan del Mercat- Gothic parish church dedicated to John the Baptist and Evangelist, rebuilt in Baroque style after a 1598 fire. The interior ceilings was frescoed by Palomino.
• Sant Nicolau
• Santa Caterina
• Sant Esteve

El Temple (the Temple), the ancient church of the Knights Templar, which passed into the hands of the Order of Montesa and was rebuilt in the reigns of Ferdinand VI and Charles III; the former convent of the Dominicans, at one time the headquarters of the Capitan General, the cloister of which has a beautiful Gothic wing and the chapter room, large columns imitating palm trees; the Colegio del Corpus Christi, which is devoted to the Blessed Sacrament, and in which perpetual adoration is carried on; the Jesuit college, which was destroyed in 1868 by the revolutionary Committee of the Popular Front, but later rebuilt; and the Colegio de San Juan (also of the Society), the former college of the nobles, now a provincial institute for secondary instruction.

Squares and gardens

The largest plaza in Valencia is the Plaça del Ajuntament; it is home to the City Hall (Ajuntament) on its western side and the central post office (Edifici de Correus) on its eastern side, a cinema that shows classic movies, and many restaurants and bars. The plaza is triangular in shape, with a large cement lot at the southern end, normally surrounded by flower vendors. It serves as ground zero during the Les Falles when the fireworks of the Mascletà can be heard every afternoon. There is a large fountain at the northern end.

The Plaça de la Mare de Déu contains the Basilica of the Virgin and the Turia fountain, and is a popular spot for locals and tourists. Around the corner is the Plaça de la Reina, with the Cathedral, orange trees, and many bars and restaurants.

The Turia River was diverted in the 1960s, after severe flooding, and the old riverbed is now the Turia gardens, which contain a children's playground, a fountain, and sports fields. The Palau de la Música is adjacent to the Turia gardens and the City of Arts and Sciences lies at one end. The Valencia Bioparc is a zoo, also located in the Turia riverbed.

Other gardens in Valencia include:

• The Jardíns de Monfort (es:Jardines de Monforte).
• The Jardí Botànic (Botanical Gardens).
• The Jardíns del Real or Jardíns de Vivers (Del Real Gardens), they are located in the Pla del Real district, on just the former site of the Del Real Palace.

The Ciutat de les Arts i les Ciències complex designed by the architects the Valencian Santiago Calatrava and Madrilenian Félix Candela.

Museums

L'Oceanogràfic, located within the complex of the Ciutat de les Arts i les Ciències, is currently the largest aquarium in Europe, it houses 45,000 animals of 500 different species.

• Ciutat de les Arts i les Ciències (City of Arts and Sciences). Designed by the Valencian architect Santiago Calatrava, it is situated in the former Túria river-bed and comprises the following monuments:
  • Palau de les Arts Reina Sofía, a flamboyant opera and music palace with four halls and a total area of 37,000 m² (398,000 sq ft).
  • L'Oceanogràfic, the largest aquarium in Europe, with a variety of ocean beings from different environments: from the Mediterranean, fishes from the ocean and reef inhabitants, sharks, mackerel swarms, dolphinarium, inhabitants of the polar regions (belugas, walruses, penguins), coast inhabitants (sea lions), etc. L'Oceanogràfic exhibits also smaller animals as coral, jellyfish, sea anemones, etc.
  • El Museu de les Ciències Príncipe Felipe, an interactive museum of science but resembling the skeleton of a whale. It has an area of around 40,000 square metres (430,556 square feet) over three floors.
  • L'Hemisfèric, an Imax cinema. (es:L'Hemisfèric)
• Museu de Prehistòria de València (Prehistory Museum of Valencia)
• Museu Valencià d'Etnologia (Valencian Museum of Ethnology)
• House Museum Blasco Ibáñez
• IVAM – Institut Valencià d'Art Modern – Centre Julio González Julio González Centre – Valencian Institute of Modern Art
• Museu de Belles Arts de València (Museum of Fine Arts)
• Museu Faller (Falles Museum)
• Museu d'Història de València (Valencia History Museum)
• Museu Taurí de València (Bullfighting Museum)
• MuVIM – Museu Valencià de la Il·lustració i la Modernitat (Valencian Museum of Enlightenment and Modernity)
• González Martí National Museum of Ceramics and Decorative Arts
• Computer Museum – is located within Technical School of Computer Engineering (Polytechnic University of Valencia)

Transport

Public transport is provided by the Ferrocarrils de la Generalitat Valenciana (FGV), which operates the Metrovalencia and other rail and bus services. The Estació del Nord (North Station) is the main railway terminus in Valencia. A new temporary station, Estació de València-Joaquín Sorolla, has been built on land adjacent to this terminus to accommodate high speed AVE trains to and from Madrid, Barcelona, Seville and Alicante. Valencia Airport is situated 9 km (5.6 mi) west of Valencia city centre. Alicante Airport is situated about 170 km (110 mi) south of Valencia.

The City of Valencia also makes available a bicycle sharing system named Valenbisi to both visitors and residents. As of 13 October 2012, the system has 2750 bikes distributed over 250 stations all throughout the city.

History

Roman colony

Valencia is one of the oldest cities in Spain, founded in the Roman period, c. 138 BC, under the name "Valentia Edetanorum". A few centuries later, with the power vacuum left by the demise of the Roman imperial administration, the church assumed the reins of power in the city, coinciding with the first waves of the invading Germanic peoples (Suevi, Vandals and Alans, and later the Visigoths).

Muslim rule

Towers of Serrans, it is one of the twelve gates that was guarding the Christian city walls of Valencia. Of Valencian Gothic, built between 1392 and 1398. This gate was the used by kings to enter the city.

The city surrendered to the invading Moors (Berbers and Arabs) about 714 AD, and the cathedral of Saint Vincent was turned into a mosque. The Castilian nobleman Rodrigo Diaz de Vivar, known as El Cid, in command of a combined Christian and Moorish army, besieged the city beginning in 1092. After the siege ended in May 1094, he ruled the city and its surrounding territory as his own fiefdom for five years from 15 June 1094 to July 1099.

The city remained in the hands of Christian troops until 1102, when the Almoravids retook the city and restored the Muslim religion. Alfonso VI of León and Castile, drove them from the city, but was unable to hold it. The Almoravid Masdali took possession on 5 May 1109, then the Almohads, seized control of it in 1171.

Christian reconquest

In 1238,^[45] King James I of Aragon, with an army composed of Aragonese, Catalans, Navarrese and crusaders from the Order of Calatrava, laid siege to Valencia and on 28 September obtained a surrender. Fifty thousand Moors were forced to leave.

The city endured serious troubles in the mid-14th century, including the decimation of the population by the Black Death of 1348 and subsequent years of epidemics — as well as a series of wars and riots that followed.

The 15th century was a time of economic expansion, known as the Valencian Golden Age, in which culture and the arts flourished. Concurrent population growth made Valencia the most populous city in the Crown of Aragon.

Some of the most emblematic buildings of the city were built during this period, including the Serrans Towers (1392), the Silk Exchange (1482), the Micalet and the Chapel of the Kings of the Convent of Sant Domènec. In painting and sculpture, Flemish and Italian trends had an influence on Valencian artists.

Valencia rose to become one of the most influential cities on the Mediterranean in the 15th and 16th centuries, but following the discovery of the Americas, the Valencians, like the Catalans, Aragonese and Majorcans, were prohibited participation in the cross-Atlantic commerce, and with this loss of trade, Valencia eventually suffered an economic crisis.

17th century

The crisis deepened during the 17th century with the expulsion in 1609 of the Jews and the Moriscos, descendants of the Muslim population that had converted to Christianity. The Spanish government systematically forced Moriscos to leave the kingdom for Muslim North Africa. They were concentrated in the former Kingdom of Aragon, and in the Valencia area specifically, they were roughly a third of the total population. The expulsion caused the financial ruin of some of the nobility and the bankruptcy of the Taula de Canvi financial institution in 1613.

18th century

The decline of the city reached its nadir with the War of Spanish Succession (1702–1709), marking the end of the political and legal independence of the Kingdom of Valencia. During the War of the Spanish Succession, Valencia sided with the Habsburg ruler of the Holy Roman Empire, Charles of Austria. On 24 January 1706, Charles Mordaunt, 3rd Earl of Peterborough, 1st Earl of Monmouth, led a handful of English cavalrymen into the city after riding south from Barcelona, captured the nearby fortress at Sagunt, and bluffed the Spanish Bourbon army into withdrawal.

The English held the city for 16 months and defeated several attempts to expel them. After the victory of the Bourbons at the Battle of Almansa on 25 April 1707, the English army evacuated Valencia and Philip V ordered the repeal of the privileges of Valencia as punishment for the kingdom's support of Charles of Austria. By the Nueva Planta decrees (Decretos de Nueva Planta) the ancient Charters of Valencia were abolished and the city was governed by the Castilian Charter.

The Valencian economy recovered during the 18th century with the rising manufacture of woven silk and ceramic tiles. The Palau de Justícia is an example of the affluence manifested in the most prosperous times of Bourbon rule (1758–1802) during the rule of Charles III. The 18th century was the age of the Enlightenment in Europe, and its humanistic ideals influenced such men as Gregory Maians and Perez Bayer in Valencia, who maintained correspondence with the leading French and German thinkers of the time.

19th century

The 19th century began with Spain embroiled in wars with France, Portugal, and England—but the War of Independence most affected the Valencian territories and the capital city. The repercussions of the French Revolution were still felt when Napoleon's armies invaded the Iberian Peninsula. The Valencian people rose in arms against them on 23 May 1808, aroused by men such as Vicent Doménech el Palleter.

The mutineers seized the Citadel, a Supreme Junta government took over, and on 26–28 June, Napoleon's Marshal Moncey attacked the city with a column of 9,000 French imperial troops in the First Battle of Valencia. He failed to take the city in two assaults and retreated to Madrid. Marshal Suchet began a long siege of the city in October 1811, and after intense bombardment forced it to surrender on 8 January 1812. After the capitulation, the French instituted reforms in Valencia, which became the capital of Spain when the Bonapartist pretender to the throne, José I (Joseph Bonaparte, Napoleon's elder brother), moved the Court there in the middle of 1812. The disaster of the Battle of Vitoria on 21 June 1813 obliged Suchet to quit Valencia, and the French troops withdrew in July.

Ferdinand VII became king after the victorious end of the Peninsular War, which freed Spain from Napoleonic domination. When he returned on 24 March 1814 from exile in France, the Cortes requested that he respect the liberal Constitution of 1812, which seriously limited royal powers. Ferdinand refused and went to Valencia instead of Madrid. Here, on 17 April, General Elio invited the King to reclaim his absolute rights and put his troops at the King's disposition. The king abolished the Constitution of 1812 and dissolved the two chambers of the Spanish Parliament on 10 May. Thus began six years (1814–1820) of absolutist rule, but the constitution was reinstated during the Trienio Liberal, a period of three years of liberal government in Spain from 1820–1823.

On the death of King Ferdinand VII in 1833, Baldomero Espartero became one of the most ardent defenders of the hereditary rights of the king's daughter, the future Isabella II. During the regency of Maria Cristina, Espartero ruled Spain for two years as its 18th Prime Minister from 16 September 1840 to 21 May 1841. City life in Valencia carried on in a revolutionary climate, with frequent clashes between liberals and republicans.

The reign of Isabella II as an adult (1843–1868) was a period of relative stability and growth for Valencia. During the second half of the 19th century the bourgeoisie encouraged the development of the city and its environs; land-owners were enriched by the introduction of the orange crop and the expansion of vineyards and other crops,. This economic boom corresponded with a revival of local traditions and of the Valencian language, which had been ruthlessly suppressed from the time of Philip V. Around 1870, the Valencian Renaissance, a movement committed to the revival of the Valencian language and traditions, began to gain ascendancy.

20th century

In the early 20th century Valencia was an industrialised city. The silk industry had disappeared, but there was a large production of hides and skins, wood, metals and foodstuffs, this last with substantial exports, particularly of wine and citrus. Small businesses predominated, but with the rapid mechanisation of industry larger companies were being formed. The best expression of this dynamic was in the regional exhibitions, including that of 1909 held next to the pedestrian avenue L'Albereda (Paseo de la Alameda), which depicted the progress of agriculture and industry. Among the most architecturally successful buildings of the era were those designed in the Art Nouveau style, such as the North Station (Estació del Nord) and the Central and Columbus markets.

World War I (1914–1918) greatly affected the Valencian economy, causing the collapse of its citrus exports. The Second Spanish Republic (1931–1939) opened the way for democratic participation and the increased politicisation of citizens, especially in response to the rise of Conservative Front power in 1933. The inevitable march to civil war and the combat in Madrid resulted in the removal of the capital of the Republic to Valencia.

On 6 November 1936, the city became the capital of Republican Spain. The city was heavily bombarded by air and sea, and by the end of the war the city had survived 442 bombardments, leaving 2,831 dead and 847 wounded, although it is estimated that the death toll was higher. The Republican government moved to Barcelona on 31 October of that year. On 30 March 1939, Valencia surrendered and the Nationalist troops entered the city. The postwar years were a time of hardship for Valencians. During Franco's regime speaking or teaching Valencian was prohibited; in a significant reversal it is now compulsory for every schoolchild in Valencia.

The dictatorship of Franco forbade political parties and began a harsh ideological and cultural repression countenanced and sometimes even led by the Church.

The economy began to recover in the early 1960s, and the city experienced explosive population growth through immigration spurred by the jobs created with the implementation of major urban projects and infrastructure improvements. With the advent of democracy in Spain, the ancient kingdom of Valencia was established as a new autonomous entity, the Valencian Community, the Statute of Autonomy of 1982 designating Valencia as its capital.

Valencia has since then experienced a surge in its cultural development, exemplified by exhibitions and performances at such iconic institutions as the Palau de la Música, the Palacio de Congresos, the Metro, the City of Arts and Sciences (Ciutat de les Arts i les Ciències), the Valencian Museum of Enlightenment and Modernity (Museo Valenciano de la Ilustracion y la Modernidad), and the Institute of Modern Art (Institut Valencià d'Art Modern). The various productions of Santiago Calatrava, a renowned structural engineer, architect, and sculptor and of the architect Félix Candela have contributed to Valencia's international reputation. These public works and the ongoing rehabilitation of the Old City (Ciutat Vella) have helped improve the city's livability and tourism is continually increasing.

21st century

On 9 July 2006, the World Day of Families, during Mass at Valencia's Cathedral, Our Lady of the Forsaken Basilica, Pope Benedict XVI used, the Sant Calze, a 1st-century Middle-Eastern artifact that some Catholics believe is the Holy Grail. It was supposedly brought to that church by Emperor Valerian in the 3rd century, after having been brought by St. Peter to Rome from Jerusalem. The Sant Calze (Holy Chalice) is a simple, small stone cup. Its base was added in Medieval Times and consists of fine gold, alabaster and gem stones.

Valencia was selected in 2003 to host the historic America's Cup yacht race, the first European city ever to do so. The America's Cup matches took place from April to July 2007. On 3 July 2007, Alinghi defeated Team New Zealand to retain the America's Cup. Twenty-two days later, on 25 July 2007, the leaders of the Alinghi syndicate, holder of the America's Cup, officially announced that Valencia would be the host city for the 33rd America's Cup, held in June 2009.

In the Valencia City Council elections from 1991 to 2015 the City Council was governed by the People's Party of Spain (Partido Popular) (PP) and Mayor Rita Barberá Nolla who became mayor by a pact made with the Valencian Union.

source https://en.wikipedia.org/wiki/Valencia